Introduction
Understanding this tradition
In Bali, the word gamelan refers to the ensemble of instruments and the musicians who play it. Many types of gamelan accompany temples, processes, cremations, dances and theatre. Not all are sacred and their functions are not interchangeable.
First listening
Three things to hear
- Follow the big gong that closes the cycle.
- Listen to the vibrating pulsation created by the uncontested pairs.
- Observe how kendang drives tempo changes.
History and transmission
The Javanese and Balinese court arts, the villages, temples and reforms of the 20th century shaped the ensembles. The lively and contrasting gong kebyar was imposed in the early 20th century, while other older formations remain linked to particular rites.
What does it look like?
Imbricated metallophone layers, gongs punctuating the cycle, drums that direct transitions and pair tunings producing acoustic vibration. Precision depends on mutual listening more than a visible conductor.
Where and why are we listening?
The instruments are often community-owned and consecrated. The duration, repertoire and set chosen depend on the ceremony. A stage version frequently condenses this ritual time.
Artists, works and albums
Three listening doors
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Music of Bali
Gamelan Gong Kebyar of Peliatan
To hear the collective energy and contrasts of the gong kebyar.Bali: Gamelan & Kecak
Various Artists
A comparison of different training and functions.Gamelan Semar Pegulingan
I Wayan Lotring
A master composer associated with an older and refined repertoire.Listen and transmit with respect
Avoid the idea of an exotic sound background to meditate. Name the type of gamelan, the village and function; respect the rules of temples and the communal ownership of instruments.
Sources